The latest crime thriller from sibling filmmakers Eshom and Ian Helms (known for “Small Town Crime” and “Fatman”) is a nostalgic nod to 1970s exploitation films, so much so that it could easily feature American International Pictures at the top of its credits. Starring Orlando Bloom, who adopts a hard-wrought Southern accent, “Red Right Hand” doesn’t break new ground in the well-trodden genre. However, it delivers plenty of bloody action and shootouts to satisfy fans, who are more likely to catch it on VOD than at drive-ins.
Bloom portrays Cash, the lead character whose rugged masculinity is established early on with shirtless pull-ups and push-ups. Despite his tough exterior, Cash is portrayed as a decent man, still grieving the loss of his sister and caring for his troubled brother-in-law Finney (played with surprising depth by Scott Haze) and resilient niece Savannah (portrayed by Chapel Oaks and Will Trent). Cash’s compassionate nature is evident when he aids a struggling foal during birth.
However, Cash has a dark past as an enforcer for local crime boss Big Cat (played by Andie MacDowell), earning him the titular scarred right hand from a burn ritual depicted in flashbacks. Big Cat, resentful of Cash’s departure, forces him back into her service when his family’s safety is threatened.
As Cash becomes entangled in Big Cat’s world once again, the film escalates into a series of violent confrontations, including a deadly drug deal gone wrong. MacDowell’s portrayal of the ruthless villain falls short, despite her talent, leaving a miscast void in the film. While Bloom shines as the stoic hero seeking redemption, the sluggish pacing and lackluster dialogue detract from the overall impact of the film.
Despite its flaws, “Red Right Hand” delivers on its promise of gritty action and tension, buoyed by Bloom’s strong performance. However, it ultimately falls short of its potential due to missteps in casting and execution.
