Dragons of Wonderhatch

Several films have seamlessly blended live-action and animation, such as Space Jam, Who Framed Roger Rabbit?, and Disney’s Enchanted. While most of these innovative creations have hailed from the West, the Japanese original series on Disney+, Dragons Of Wonderhatch, introduces a fresh perspective to the genre with its fusion of live-action and anime. Does it manage to succeed in this endeavor?

At its core, Dragons Of Wonderhatch is essentially an isekai, but it subverts the genre by having fantasy characters enter the real world, creating a reverse isekai narrative. Unlike the crossover approach seen in Who Framed Roger Rabbit? or Space Jam, Dragons Of Wonderhatch seamlessly transitions between live-action and anime sequences, maintaining a clear separation. This approach is more akin to Disney’s Enchanted, where characters come to life in the real world and shift to animation only when traversing the animated realm.

The anime segments in Dragons Of Wonderhatch boast high production value and quality animation, courtesy of the esteemed studio Production I.G. (known for works like Ghost In The Shell and Psycho-Pass). These anime portions, characterized by fast-paced action, feature dragon riders reminiscent of DreamWorks’ How To Train Your Dragon, each with their own unique dragon. However, as the fantasy characters venture into the real world, the anime action diminishes.

Conversely, the live-action segments are slower-paced and laden with drama. Dragons Of Wonderhatch delves into emotional and dramatic arcs as main characters grapple with personal issues. For instance, the protagonist Nagi (Sena Nakajima) confronts bullying, social ostracization, and the challenges of being raised by a single father while contending with concerns about her mental health linked to her deceased mother. The story excels when anime characters from Upananta, the fantasy world, confront the harsh reality of our world, creating a compelling contrast.

An admirable aspect of Dragons Of Wonderhatch is the creation of a fictional language for the inhabitants of Upananta, reminiscent of Elvish in The Lord Of The Rings or Klingon in Star Trek. The CGI and visual effects for the dragons are commendable for a TV series, striking a balance between quality and practicality.

However, Dragons Of Wonderhatch occasionally feels overly serious, given the fantastical premise. The performances are generally solid, with Mackenyu delivering a standout role as Aktha. Notably, his performance surpasses his previous roles in the Saint Seiya live-action movie and the One Piece series. Sena Nakajima (Nagi) and Daiken Okudaira (Thaim) also shine as likable protagonists.

After the initial four episodes, Dragons Of Wonderhatch proves compelling enough to warrant continued viewing. Its distinctive blend of live-action and animation in a reverse isekai narrative offers a refreshing take in today’s expansive content landscape. Only time will reveal whether viewers can resonate with its unique approach.


By acinetv